Bat Eater

Kylie Lee Baker is an American author of dark fantasy whose work draws on the folklore, mythology, and historical settings of both Japan and nineteenth-century England, combining these with a young adult sensibility and a protagonist whose mixed heritage places her perpetually between worlds that refuse to fully accept her. Baker was born and raised in Boston and has spoken of her Japanese American background as both the biographical origin of her fiction's themes and a more complex subject than simple representation discourse often allows for.

The Keeper of Night, her debut novel published in 2021, follows Ren Scarborough, the half-British, half-Japanese daughter of a shinigami — a Japanese death god — who cannot find acceptance among either the British reapers who despise her for her ancestry or the shinigami world she seeks to join. Her journey to Japan, taken with her younger brother, becomes an encounter with the terrifying and beautiful world of Japanese mythology — the underworld, the hierarchy of death gods, the creatures and obligations of the spirit world — rendered with both research and imagination. The novel received strong critical attention for its atmospheric world-building and its honest treatment of the particular pain of mixed-heritage identity, of belonging to two traditions and being fully claimed by neither.

The sequel, The God of Forgotten Words, continues Ren's story with expanded world-building and character development. Baker's fiction is notable for its engagement with death as a thematic subject: the mechanics of her worlds — what happens when people die, who administers this process, what it costs — are thought through with unusual care, and death in her fiction is not simply background atmosphere but an active philosophical concern.

Her work has placed her among a generation of American authors, many of Asian heritage, who are bringing the mythological traditions of Asian cultures into young adult fantasy in ways that go beyond surface aesthetics. Baker's specific combination of British Gothic and Japanese horror elements is her own, and her voice — dark, specific, historically grounded — distinguishes her from the field.