Nana 25th anniversary edition Vol.03

Ai Yazawa was born in 1967 in Osaka and studied at the Osaka High School of Arts before beginning her professional manga career in the early 1990s. She published several series through the decade — including Tenshi Nanka Ja Nai, Marine Blue no Kishibe ni te, and Gokinjo Monogatari — that established her visual style: distinctive character designs with long legs, elaborate fashion, and faces capable of great emotional expressiveness. These series found devoted audiences and introduced Yazawa as a shojo artist of genuine talent, but they were preparation for the two works that would define her career.

Paradise Kiss, serialized in Zipper magazine from 1999 to 2003, is her transitional masterwork: a story about a high-achieving student pulled into the world of fashion design students at a prestigious vocational school, and her complex relationship with their flamboyant leader, George. The series treats fashion seriously — as art, as identity construction, as the site where questions of authenticity and performance become material — and its heroine's trajectory, from someone doing what is expected of her to someone discovering what she actually wants, is handled without sentimentality or easy resolution. Its ending is genuinely adult: what happens between Yukari and George is not what romance convention would produce, and Yazawa's willingness to follow the emotional and character logic rather than the genre logic is characteristic.

Nana, which began in Cookie magazine in 2000, is her greatest work and one of the most beloved manga of the twenty-first century. Two women named Nana travel to Tokyo on the same train, find themselves sharing an apartment, and develop one of the most vividly realized friendships in manga fiction. Nana Komatsu is seeking the man she loves; Nana Osaki is pursuing her dream of musical success with her punk band. The series' exploration of female friendship, ambition, love, and the specific pressures that operate on young women trying to build their lives in a city that is indifferent to their needs is exceptional in its emotional honesty and its refusal of easy narrative comfort.

In 2009, the serialization of Nana was suspended due to Yazawa's severe illness. She has not been well enough to continue it since, and the series remains unfinished — a state that its readers experience as a specific kind of grief, for the story itself and for the creator who cannot complete it. Yazawa's occasional communication from her recovery, and the enduring devotion of her readership, represent one of manga's most poignant ongoing stories.